I have noticed over my association with many poets, that there were many times a male poet might write a stunning love poem to a woman that he treated pretty shabbily. Not always the case, but it made me less jealous that I wasn’t getting so many love poems.
I have a sense that E Ethelbert Miller treats Maria well:
Crossing the Line
. for Maria
Sitting across the table from you
I think back to when our friendship
came down from the mountains.
It was a cold day and the miners
had not left for work.
You break a cookie in half like bread
and this sharing is what we both now need.
That which breaks into crumbs are memories.
Your gray hair cut short and you ask if I notice.
How can I tell you that Bolivia will always be
beautiful and everything I notice is you
and yes is you. Our napkins folded in our hands.
Folded as if our meeting now is prayer.
Did I ever tell you that your eyes are a map
and I would lose myself if you ever turned away
E. Ethelbert Miller
Originally published in Poem-a-Day on February 14, 2022, by the Academy of American Poets. You can read his comments about this poem on their website.

Andrew, who plumbed my house, quit the MFA program at Stanford to work in his uncle’s plumbing business. “The best writer in our group, one year ahead of me, struggled to find a job. If it was so hard for her, what hope was there for me?” He explained, while fixing my dishwasher. While he curls under my sink, we chat about who we are reading, who we should read next. When he went to Yosemite, he texted me photos of the rainbow over the falls; he had hiked six miles to get the right angle.
This weekend I had my grandsons overnight and broke out the Puffin puzzle, which we had a lot of fun with, but didn’t finish. Then the Sunday NY Times arrived, with a brochure for cruise ships. It had this image on the cover.
The Carp
Previsão do Tempo
I read this about New Year’s resolutions in the Paris Review this morning:
This book, for “children and philosophers” has been a staple in our house for years. It’s the tale of a young painter in China and his relationship to the local sorcerer. In one chapter, the sorcerer, teaching the painter to focus, asks him to imagine everything he wants, and the boy thinks of toys and bicycles and a dozen other material things. Then the sorcerer says he needs to banish all those thoughts if he wants to paint.
I was reading through a volume of contemporary poetry this morning and came across an old favorite. It’s been awhile since I published a Dream Song, so here goes: