A little perspective

It’s hard not to feel that things are worse now than they’ve ever been. But looking back at the fifties, I remember feeling they were pretty terrible then. This poem, from that period by Robert Lowell, gives a good description of that feeling:

Skunk Hour

(for Elizabeth Bishop)

Nautilus Island’s hermit
heiress still lives through winter in her Spartan cottage;
her sheep still graze above the sea.
Her son’s a bishop. Her farmer is first selectman in our village;
she’s in her dotage.

Thirsting for
the hierarchic privacy
of Queen Victoria’s century
she buys up all
the eyesores facing her shore,
and lets them fall.

The season’s ill–
we’ve lost our summer millionaire,
who seemed to leap from an L. L. Bean
catalogue. His nine-knot yawl
was auctioned off to lobstermen.
A red fox stain covers Blue Hill. Continue reading “A little perspective” →

The Exemplary Sentence

I read about Bette Howland and her memoir/novel Blue in Chicago in the NY Times obituaries last month. According to the obituary she was a a protege (and perhaps lover) of Saul Bellow and had a troubled life.

 

 

 

 

 

I got her book out of the library, and Blue in Chicago is an extraordinary work, giving a rich portrait of Chicago and the complexities of Jewish family life. Here is an excerpt:

“Words of Yiddish passed over the table like the Angel of Death. It was the language of bad news; bodily functions; the parts of dead chickens.”

And this, about her grandmother’s funeral:

“It seemed strange to me that my grandmother was at one and the same time carrion–garbage–that had to be got rid of, shoveled quickly out of sight; and something precious and tender, of infinite value, being laid away for safekeeping–sunk in a vault. These things seemed opposed, bu the weren’t; they couldn’t be; because both were true. It was necessary to hold them both in your mind at once. That’s all we were trying to do, standing over the open grave… Continue reading “The Exemplary Sentence” →

From Tony Hoagland’s new book

There is nothing to say about this poem–just buy the book.

The Age of Iron

When I see an ironing board
folded in the closet of a motel room,
and the iron resting like a sledgehammer on the shelf above,

I think of the Age of Iron
and my mother standing in the kitchen,
folding clothes on the green table,
a bottle if spray starch at her elbow, not even the radio on—

Continue reading “From Tony Hoagland’s new book” →

Of resolutions and poetry

I have a system for New Year’s resolutions that works well for me: Aim small and succeed. I’ve discussed this before.  But to update the list, I’ve since added: drive courteously (three years ago), no movie theater popcorn (two years ago), and better socks (last year). I’m still working on last year’s resolution, slowly replacing my ragtag collection with better socks, so I don’t need a new resolution this year.

The point is that these resolutions seem to last, not just for a year, but integrated into my life–unlike the grand, doomed resolutions I used to make. Of course, I have many projects and activities planned for 2018, both personal and political, but these are not resolutions, but practice.

I am also pleased that most Mondays for over six years, I’ve found and posted a poem I like. I almost always post poems that are contemporary, or at least 20th century. But last week Larry received a packet of broadsides that included one of my favorite poems by John Donne. So here is your New Year’s vitamin. It is the opening of the second stanza that I love most:

The Good-Morrow

I wonder, by my troth, what thou and I
Did, till we loved? Were we not weaned till then?
But sucked on country pleasures, childishly?
Or snorted we in the Seven Sleepers’ den?
’Twas so; but this, all pleasures fancies be.
If ever any beauty I did see,
Which I desired, and got, ’twas but a dream of thee.

And now good-morrow to our waking souls,
Which watch not one another out of fear;
For love, all love of other sights controls,
And makes one little room an everywhere.
Continue reading “Of resolutions and poetry” →

About angels

It’s that season–all the old cliches brought out with music and glitter. On that note, there are very few poems that contain angels that are not overwrought, too fanciful or just plain schmaltz. But this, by B. H. Fairchild, avoids all that:

Angels

Elliot Ray Neiderland, home from college
one winter, hauling a load of Herefords
from Hogtown to Guymon with a pint of
Ezra Brooks and a copy of Rilke’s Duineser   
Elegien on the seat beside him, saw the ass-end
of his semi gliding around in the side mirror
as he hit ice and knew he would never live
to see graduation or the castle at Duino. Continue reading “About angels” →

From Berkeley’s Lunch Poems

I went to hear Rita Dove, a former US Poet Laureate, read at the UC Berkeley Lunch poems series this week.  Here is one of her poems:

Exit

Just when hope withers, the visa is granted.
The door opens to a street like in the movies,
clean of people, of cats; except it is your street
you are leaving. A visa has been granted,
“provisionally”-a fretful word.
The windows you have closed behind
you are turning pink, doing what they do
every dawn. Here it’s gray. The door Continue reading “From Berkeley’s Lunch Poems” →

Rainy Monday

Rain seems so appropriate at the end of a holiday weekend, but this Monday poem is not about rain, but a selection from a new anthology I just finished reviewing for ZYZZYVA, In the Shape of a Human Body I Am Visiting the Earth: Poems Far and Wide, published jointly by McSweeney’s and Poetry International. The review will appear soon on their blog. In the meantime, here is the title poem:

In the shape of a human body I am visiting the earth

In the shape of a human body
I am visiting the earth;
the trees visit
in the shapes of trees.
Standing between the onions
and the dandelions
near the ailanthus and the bus stop,
I don’t live more thoroughly
inside the mucilage of my own skull
than outside of it
and not more behind my eyes
than in what I can see with them. Continue reading “Rainy Monday” →

Of Jazz and Poetry

We are back home, and happy to find that David Juda has completed a wonderful project of posting poems and music from For Jazz on his website, Voetica.

Just click on an artist to see and listen. This area of the site features woodcuts by Nina Mera, poetry by Peter McSloy, and accompanying music by jazz greats.

This site is a terrific resource to hear many recordings of contemporary and significant poems from the past.  With a background in theater, David has found extraordinary talent and there are new additions all the time. Worth going back to many times.

A sonnet?

Photo by Milos Bicanski/Getty Images for Homefront TV

Troy Jollimore used this poem by A. E. Stallings to illustrate what the modern sonnet can do. Even though the lines are short, and the “turn” comes at line three, it does seem like a sonnet:

 

Fire Safety Drill

It ought to be easy to learn:
Freeze, drop where you stand,
And roll yourself in a rug;
But acting as you’ve planned
When the glib tongue licks your hair
Or rubbles up your sleeve
Is difficult—the tug
Of heat unravels thought—
And all that you were taught
Comes brilliantly undone.
And in the moment’s flare
Somehow you believe
That it can be outrun,
And you’ve got time to burn.

A. E. Stallings

Making an enemy?

I hope not, but I am going to repost a poem here from the poem-a-day feature of the Academy of American poets. Reading it, I had an idea about what I would suggest were I an editor and this poem came to me. But poets are rarely open to suggestions as radical as mine. Editing others’ work as I see it is part of my belief that poets are all really working on one big quilt of words, and it’s important to be open to others thoughts about one’s particular needlework. Of course, it’s easier to be open to editing others’ work than to accept suggestions about one’s own.

In any case, here is the poem as written, followed by my suggestion.

Early Fall

Rain decays dawn—
everything in the yard

leaning, beaded, broken in.
A lucid dream

the weather
assembles; a pain particular

as light seeping
into an alley

narrowed by overgrowth.
To articulate what slips

the instant
speech moves

to apprehend it.

Cinder blocks stacked
by a metal shed door

totem-like
in haze

of evaporated rain.

Joseph Massey

My suggested edit: Continue reading “Making an enemy?” →

Raw

In a workshop once, Marie Howe suggested: write a poem from the point of view of someone who throws trash out the car window. Nobody could. But here Frank Bidart manages a harder task–write a poem in the voice of a pedophile.

Herbert White

“When I hit her on the head, it was good,

and then I did it to her a couple of times,—
but it was funny,—afterwards,
it was as if somebody else did it…

Everything flat, without sharpness, richness or line.

Still, I liked to drive past the woods where she lay,
tell the old lady and the kids I had to take a piss,
hop out and do it to her…

The whole buggy of them waiting for me
made me feel good;
but still, just like I knew all along,
she didn’t move.

When the body got too discomposed,
I’d just jack off, letting it fall on her…

—It sounds crazy, but I tell you
sometimes it was beautiful—; I don’t know how
to say it, but for a minute, everything was possible—;
and then,
then,—
well, like I said, she didn’t move: and I saw,
under me, a little girl was just lying there in the mud:

and I knew I couldn’t have done that,—
somebody else had to have done that,—
standing above her there,
in those ordinary, shitty leaves…

—One time, I went to see Dad in a motel where he was
staying with a woman; but she was gone;
you could smell the wine in the air; and he started,
real embarrassing, to cry…
He was still a little drunk,
and he asked me to forgive him for
all he hadn’t done—; but, What the shit?
Who would have wanted to stay with Mom? with bastards
not even his own kids?

I got in the truck, and started to drive,
and saw a little girl—
who I picked up, hit on the head, and
screwed, and screwed, and screwed, and screwed, then

buried,
in the garden of the motel…

—You see, ever since I was a kid I wanted
to feel things make sense: I remember

looking out the window of my room back home,—
and being almost suffocated by the asphalt;
and grass; and trees; and glass;
just there, just there, doing nothing!
not saying anything! filling me up—
but also being a wall; dead, and stopping me;
—how I wanted to see beneath it, cut

beneath it, and make it
somehow, come alive…

The salt of the earth;
Mom once said, ‘Man’s spunk is the salt of the earth…’
—That night, at that Twenty-nine Palms Motel
I had passed a million times on the road, everything

fit together; was alright;
it seemed like
everything had to be there, like I had spent years
trying, and at last finally finished drawing this
huge circle…

—But then, suddenly I knew
somebody else did it, some bastard
had hurt a little girl—; the motel
I could see again, it had been

itself all the time, a lousy
pile of bricks, plaster, that didn’t seem to
have to be there,—but was, just by chance…

—Once, on the farm, when I was a kid,
I was screwing a goat; and the rope around his neck
when he tried to get away
pulled tight;—and just when I came,
he died…
I came back the next day; jacked off over his body;
but it didn’t do any good…

Mom once said:
‘Man’s spunk is the salt of the earth, and grows kids.’

I tried so hard to come; more pain than anything else;
but didn’t do any good…

—About six months ago, I heard Dad remarried,
so I drove over to Connecticut to see him and see
if he was happy.
She was twenty-five years younger than him:
she had lots of little kids, and I don’t know why,
I felt shaky…
I stopped in front of the address; and
snuck up to the window to look in…
—There he was, a kid
six months old on his lap, laughing
and bouncing the kid, happy in his old age
to play the papa after years of sleeping around,—
it twisted me up…
To think that what he wouldn’t give me,
he wanted to give them…

I could have killed the bastard…

—Naturally, I just got right back in the car,
and believe me, was determined, determined,
to head straight for home…

but the more I drove,
I kept thinking about getting a girl,
and the more I thought I shouldn’t do it,
the more I had to—

I saw her coming out of the movies,
saw she was alone, and
kept circling the blocks as she walked along them,
saying, ‘You’re going to leave her alone.’
‘You’re going to leave her alone.’

—The woods were scary!
As the seasons changed, and you saw more and more
of the skull show through, the nights became clearer,
and the buds,—erect, like nipples…

—But then, one night,
nothing worked…
Nothing in the sky
would blur like I wanted it to;
and I couldn’t, couldn’t,
get it to seem to me
that somebody else did it…

I tried, and tried, but there was just me there,
and her, and the sharp trees
saying, ‘That’s you standing there.
You’re…
just you.’

I hope I fry.

—Hell came when I saw
MYSELF…
and couldn’t stand
what I see…”

Frank Bidart

On the wall this month

We are rich in broadsides, those page-size, elegant, usually letterpress versions of a single poem designed to be framed on the wall. We keep one up in the guest bathroom and change it out regularly. This one by Charles Simic, so simple, is unusual in that it is a copy of a hand-written poem. I think that this adds to  its power: