The exemplary sentence

I’ve been reading a slim novel by Forrest Gander called A Friend. It’s a novel in three parts that closely parallels a real life event. The part told by the lover, Sarah, is made up of mostly one-line statements about her lover and her grief at his death. Here are a few samples:

“The first man I went down on. You tasted like well water.”

“When you opened my shirt, you stepped back and said, They must be jealous of each other.”

“The red-bellied woodpecker swerves over the primroses and claps itself to the crab apple trunck as if a magnet had drawn it. In dreams, that’s how I come to you.”

“Not seeing the cup in the bathroom, you brought me a mouthful of water in your mouth.”

“You do not age. Someone else will watch me grow old.”

There are many others I could quote. The way they form a portrait of the beloved, the relationship, the grief, is extraordinary. And the short, final section is as gorgeous an aria of vulnerability and connectedness as I’ve ever read.

C. D. Wright

wightLast month, C. D. Wright died suddenly in her sleep. There have been many good articles about her life and work since then. This poem, from her book String Light, reads to me as a self-written obituary.

Oh, the Novaculite Uplift–a chert and flint formation in the mountains of Arkansas (where Carolyn was born), Oklahoma and Texas.

Our Dust

I am your ancestor. You know next to nothing
about me.
There is no reason for you to imagine
the rooms I occupied or my heavy hair.
Nor the faint vinegar smell of me. Or
the rubbered damp
of Forrest and I coupling on the landing
on route to our detached day.

You didn’t know my weariness, error, incapacity.
I was the poet
of shadow work and towns with quarter-inch
phone books, of failed
roadside zoos. The poet of yard eggs
and sharpening shops,
jobs at the weapons plant and the Maybelline
factory on the penitentiary road. Continue reading “C. D. Wright”