For my morning reading, last time I was at the Albany Library I gathered up a handful of poetry anthologies. I thought I should just look at some new poems, even braced as I am against new poets. I was pleasantly surprised by the first poem in the book, by Meg Kearney, someone I’d never read.
Nature Poetry
for William Matthews
Bill hated the separation implied by the term.
“What’s this?” he’d ask, gesturing to what lay
beyond our classroom window. From “NAC” 6-303
in Harlem. Manhattan blinked an glowed like
the floor of stalagmite, lit by its own desire
to exist. What was it? Concrete, glass, steel–
meaning limestone, silica, gypsum, sand,
manganese, sodium, sulfur, ore–
anything unnatural here? Here, in the city, we
steel ourselves against the elements–steel,
from the Old High German stak, “to resist”–
and we fight like the animals we are for our
own little plot of privacy amidst all this
concrete (from the Latin, concret-us, past-
participle of con-crescere “to grow together”).
We’re too much together, and all the while we
go around like Adam and put a name to things,
just to say this is real, I exist in the world.
So we say “boulevard,” “taxi,” “skyscraper,” “villain”–
which used to mean you worked on a farm, but now
means you better have eyes in the back of your
head walking down the boulevard. “Be careful
going home,” Bill would say at the end of class. “It’s
a jungle out there.” Yes, we’d agree. Naturally.
Meg Kearney
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