Poetry Monday

Even though it’s a holiday, it’s still Monday. Larry doesn’t like holidays now that he’s retired. There’s no mail. Things are closed. Too many people everywhere. They should be at work, he thinks.

Another very plain speaking person is James Galvin. This is one of my favorite poems of his:

galvinAgainst the Rest of the Year

The meadow’s a dream I’m working to wake to.
The real river flows under the river.
The real river flows
Over the river.
Three fishermen in yellow slickers
Stitch in and out of the willows
And sometimes stand for a long time, facing the water
Thinking they are not moving.

Thoughts akimbo
Or watching the West slip through our hopes for it,
We’re here with hay down,
Starting the baler, and a thunderhead
Stands forward to the east like a grail of milk.

The sky is cut out for accepting prayers.
Believe me, it takes them all.
Like empty barrels afloat in the trough of a swell
The stupid bales wait in the field.
The wind scatters a handful of yellow leaves
With the same sowing motion it uses for snow.

After this we won’t be haying anymore.
Lyle is going to concentrate on dying for a while
And then he is going to die.
The tall native grasses will come ripe for cutting
And go uncut, go yellow and buckle under snow
As they did before for thousands of years.
Of objects, the stove will be the coldest in the house.
The kitchen table will be there with its chairs,
Sugar bowl, and half-read library book.
The air will be still from no one breathing.

The green of the meadow, the green willows,
The green pines, the green roof, the water
Clear as air where it unfurls over the beaver dam
Like it isn’t moving.

In the huge secrecy of the leaning barn
We pile the bodies of millions of grasses,
Where it’s dark as a church
And the air is the haydust that was a hundred years.
The tin roof’s a marimba band and the afternoon goes dark.
Hay hooks clink into a bucket and nest.
Someone lifts his boot to the running board and rests.
Someone lights a cigarette.
Someone dangles his legs off the back of the flatbed
And holds, between his knees, his hands,
As if they weighed fifty pounds.
Forever comes to mind, and peaks where the snow stays.

James Galvin

Contest Winner

I subscribe to and occasionally submit poems to Split This Rock.  This one received an honorable mention in their annual contest:

Sandor_optMárai Sándor in Exile

Deprived of your native language,
of pörkölt cooked in cramped kitchens,
of the scent of elder flowers in early June,
you don’t meet people you know on the street, or stop
in familiar shops that sell just what you need.
You don’t sit with friends
at the café with a newspaper filled
with gossip about people you know.

After your home was destroyed,
you said language was your true home.
But so few speak the Magyar tongue.
Even your name sounds unfamiliar here.
Who will read your forty-six books?
your scrupulous observations of
the German soldiers who set up radios
in your parlor? the Russians
who used it for their motorpool?
You saved your hatred for
your countrymen, newly minted
Soviets, returned from Moscow.
Their lethal mix of terror
and preferment snuffed
what little there was left of Hungary
and drove you out.

It’s lonely in the sun
of San Diego. Your bones crave cold light,
need winter in Krisztinaváros
before the siege,
the irreplaceable stones of Castle Hill.
Your mouth is parched
for the barbed sweetness of accented vowels,
the braided bread of consonants,
the bullets
of your spoken tongue.

Meryl Natchez

This is actually an earlier version of a poem I’ve since revised into a sonnet.  More about that, and about contests, submission, acceptance and rejection later.

Luckily for me

and my resolution to be more timely with Poetry Monday, a wonderful chapbook, “Little Oceans” by Tony Hoagland, arrived in the mail today.  I’ve posted his poems before, and some of these I’d read before, but I was so glad to spend a little time with his work, and his particular view of America that is piercing, unsparing, and doesn’t let any of us (including himself) off the hook.  Here’s a sample.

spearsPOOR BRITNEY SPEARS

is not the beginning of a sentence
you hear often uttered in my household.
 
If she wants to make a career comeback
and her agent pushes her into the MTV awards show
but she can’t lose the weight beforehand

and so looks chubby in a spangled bikini
before millions of fanged, spiteful fans and enemies,
then gets a little drunk beforehand
so misses a step in the dance routine

making her look, one critic says,
like a “comatose piglet,”

well, it wasn’t by accident, was it?
that she wandered into that late 20th century glitterati party
of striptease American celebrity? Continue reading “Luckily for me”

Monday miscellany

Thanks to MLK, who has given the working world a much-needed day of respite after everyone goes back to work after the holidays.  I hope, like me, you are taking the day slowly, in robe and slippers. Of course, as Larry says about retirement, “It’s great not to be able to tell the difference between regular days and holidays.”

nashI was reminded, via a poem about a martini sent by a friend, of Ogden Nash. I can remember reading his “light verse” in the New Yorker when I was 10 or 12, thinking it was brilliant. He’s pretty much forgotten now, but if you think of him in context, only one generation older than Pound and Eliot, and remember the straight jacket most poets were struggling to get out of, the weight of his lightness is more impressive.  Here are two short samples:

A Word to Husbands

To keep your marriage brimming
With love in the loving cup,
Whenever you’re wrong, admit it;
Whenever you’re right, shut up.  Continue reading “Monday miscellany”

Mueller on Monday

My New Year’s resolution this year is to read the Constitution. Both lawyers I know who have taken Constitutional Law in law school, confess to not having read it all. They’ve focused on the case law around the document, and read parts of it.  I mention this because I’d also like to be a little more timely with poetry Monday–not a resolution, but an intention.

MuellerI don’t know much about Lisel Mueller other than that her family left Nazi Germany when she was 15, but I wandered into the main Berkeley library the other day and looking for a selection of Marianne Moore (which was not on the shelf) and took out a selection of her poems instead. I found them engaging and accessible.  She will be 90 this year!

Here are a couple of short selections: Continue reading “Mueller on Monday”

Starting the new year with a poem

This one is by Octavio Paz, a Mexican poet:

January First

pazThe year’s doors open
like those of language,
toward the unknown.
Last night you told me:
tomorrow
we shall have to think up signs,
sketch a landscape, fabricate a plan
on the double page of day and paper.
Tomorrow, we shall have to invent,
once more,
the reality of this world.

I opened my eyes late.
For a second of a second
I felt what the Aztec felt,
on the crest of the promontory,
lying in wait
for time’s uncertain return Continue reading “Starting the new year with a poem”

A snail for Larry

hit&runpresslogo_optNo adult gifts is the holiday rule in our house, but there is a little child waiting for presents in each of us, so I can’t resist at least one small thing for everyone–and I mean REALLY small. For example, this poem by Thom Gunn is my gift to Larry, who uses the snail as his hit & run press logo.

Considering the Snail

The snail pushes through a green
night, for the grass is heavy
with water and meets over
the bright path he makes, where rain
has darkened the earth’s dark. He
moves in a wood of desire, Continue reading “A snail for Larry”

Poetry Monday–two from Lucille

imagesI know it’s Tuesday again, but I was in an anti-poetry mood yesterday, wandering through my friends’ extensive library and not liking anything I read. We poets are a pretentious bunch! Then I thought about Lucille Clifton. I was lucky to have worked with her two different years at Squaw Valley. Although I knew her only slightly, she was one of those people who make a big impression. I watched her deftly improve poems, encourage without over praising, and say things like, “the house of poetry has many rooms.” Her own poems are usually short, accessible, and powerful like these samples. They are not all about being a woman, or black, but they all have wit and a big heart. Lucille didn’t capitalize much, and was sparing in punctuation. When asked about it by one of the students she said that was just how it came to her:

to my last period

well, girl, goodbye,
after thirty-eight years.
thirty-eight years and you
never arrived
splendid in your red dress
without trouble for me
somewhere, somehow. Continue reading “Poetry Monday–two from Lucille”

Oulipo

OulipoI had never heard of it either, but it’s a French acronym, short for Ouvroir de littérature potentielle; roughly translated: “workshop of potential literature”). You can read up on it here.  We studied it recently in a class I’m taking on the structure of poetry.

PerecFounded in 1960, by Georges Perec, Oulipo’s members used mathematics to place constraints on the creation of literature. Continue reading “Oulipo”

More Fennelly

A few weeks ago I posted a poem by Beth Ann Fennelly, I’d found in anthology of erotica. I have been looking at a couple of her books, and thought I’d post another today, a different kind of erotic.

Once I Did Kiss Her Wetly on the Mouth

Once I did kiss her wetly on the mouth
and her lips loosened, her tongue rising like a fish
to swim in my waters
because she learns the world
by tasting it, by taking it inside. Continue reading “More Fennelly”