Poem and more poetry

I love that expression “a day late and a dollar early” although I’m not quite sure what it means. In any case, I’m a day late with today’s Monday poem because I’ve been helping with the book launch for the Community of Writers 50th Anniversary poetry anthology, Why to These Rocks.

That event will be a virtual reading on March 11, with Forrest Gander, Robert Hass, Brenda Hillman, Greg Pardlo, Evie Shockley and others, each reading a poem from the anthology. I’ll be emcee. It will be live on March 11 at 6:30 pm and  you can register here. I think it will be an extraordinary event.

In any case, I am including a poem here that didn’t make it into the anthology, but one that I think captures some of the spirit of the Community:

Temblago

When Galway gets up to pee in the night he finds Temblago,
an imaginary place somewhere in France
that doesn’t exist anymore, a small country, rocky,
whose people, also called Temblago, are so
tenacious, the word has come to mean holding fast,
the way a piton clings to rock. When I get up,
I find one more mosquito bite in the soft indentation
of the inner arm. David says that insects are fantastic
that their name, “in sections” derives from how they are made,
many tiny sections, how even the tiniest insect, even a mite
has the same organs we do: a mouth, an anus,
reproductive organs, a digestive tract. We should think
about that instead of swatting it. He shows us an antlion,
a mysterious, armadillo-like bug with the miniature claws
of a dust-colored lobster, how it digs holes in the friable floor
of the forest, the grains at the exact angle of repose,
so when an ant falls in, it can’t scramble out; its frantic
legs alert the antlion who grabs it and devours it.
He demonstrates, dropping a carpenter ant into a thumb-sized depression.
We see the antlion’s claws grab hold. David scoops up
the tiny antlion and it’s prey, lets the ant go,
and holds the antlion in his palm, before dropping it
back in its hole. Antlions have a hard time, he says,
their metabolism is slow and very few ants
fall into their holes. They reproduce painfully slowly,
they turn have their chitonous into gossamer.
So I think about being nicer to insects, but still
I swatted the one that landed on me in the hammock,
just when my eyes were beginning to close, because
it was starting to suck my blood and that really seemed
like an act of insect aggression. Brenda says
she’s been trying to pin Bob down
about the wildflower walk, and I think
what that must be like, trying to pin Bob down, Continue reading “Poem and more poetry”

At Squaw Valley

gayIt’s the end of June, and I’m at the poetry workshop in Squaw Valley. While I hardly ever publish long poems here, I heard one tonight that just blew me away. Evie Shockley talked about how poets use time, especially the way they use it to address race and history, and her first example was this poem by Ross Gay:

spoon

   for Don Belton

Who sits like this on the kitchen floor
at two in the morning turning over and over

the small silent body in his hands
with his eyes closed fingering the ornate

tendril of ivy cast delicately into the spoon
that came home with me eight months ago

from a potluck next door during which
the birthday boy so lush on smoke

ad drink and cake made like a baby
and slept on the floor with his thumb

in his mouth until he stumbled through my garden
to my house the next morning where I was frying up

stove top sweet potato biscuits, and making
himself at home as was his way,

after sampling one of my bricks
told me I could add some baking powder

to his and could I put on some coffee
and turn up the Nina Simone and rub, maybe,

his feet, which I did, the baking powder,
stirring it in, and I like to think, Continue reading “At Squaw Valley”