Renaissance Man

larry celebrityAside from baseball, bridge, collecting blues and jazz autographs, and having taught me to cook many years ago, before he tiptoed out of the kitchen for several decades, Larry is also the publisher of hit & run press, and has an extensive collection of broadsides–poems printed on oversize sheets of paper for display, often with graphic ornamentation.  He has published many of these.

He also collects others’ broadsides. His most recent acquisition was of three broadsides done of original calligraphy by Gary Snyder, Philip Whalen and Lew Welch–three of the “beat poets” of the West Coast. They had all studied calligraphy with Lloyd Reynolds at Reed. Steve Jobs also studied with him, and Jobs’ study of calligraphy led to the wealth of fonts he introduced to the computer. Continue reading “Renaissance Man” →

More transcendence

damselfliesAfter the last post, Simone sent me a report on a heron rookery, and it mentioned damsel bugs and dragon flies.  I wasn’t going to post two poems in a row, but the coincidence with this poem and its damselflies was too strong to resist.

I’m not crazy about the beginning, the old “poet looking for a subject” opener, but once it gets going, I like it a lot. That said, my friend and fellow poet likes the opening just fine. And the way  it uses nature is quite different from Mary Oliver’s poem, but the impact just as strong, I think.

Wheel

I sat, as I do, in the shallows of the lake—
after crawling through the rotting milfoil on the shore.
At first
the materials offered me were not much—

just some cattails where a hidden bullfrog croaked
and a buckhouse made from corrugated tin—

at first I thought I’d have to write the poem of its vapors.
But wait
long enough and the world caves in, Continue reading “More transcendence” →

The transcendental poem

Mary OliverThere is a great tradition of poetry that elevates the experience of the natural world to provide a feeling of deep connection to the cycle of life and death. I can think of no better example of this type of poetry than can be found in the early work of Mary Oliver.  Here’s one.  (This poem’s lines are centered on the page in the original, but WordPress won’t do that):

heron risesHeron Rises from the Dark, Summer Pond

So heavy
is the long-necked, long-bodied heron,
always it is a surprise
when her smoke-colored wings

open
and she turns
from the thick water,
from the black sticks

of the summer pond,
and slowly
rises into the air
and is gone.

Then, not for the first or the last time,
I take the deep breath
of happiness, and I think
how unlikely it is

that death is a hole in the ground,
how improbable
that ascension is not possible,
though everything seems so inert, so nailed

back into itself—
the muskrat and his lumpy lodge,
the turtle,
the fallen gate.

And especially it is wonderful
that the summers are long
and the ponds so dark and so many,
and therefore it isn’t a miracle

but the common thing,
this decision,
this trailing of the long legs in the water,
this opening up of the heavy body

into a new life: see how the sudden
gray-blue sheets of her wings
strive toward the wind; see how the clasp of nothing
takes her in.

Mary Oliver

If you like this one, I recommend Vultures, Moles, Ice, Crows, and the probably her most famous (but not my favorite!), Wild Geese.

Holiday card

Bolivian PepperIn past years, I’ve sent holiday cards with a short letterpress poem. But this year, thinking about all those trees and not finding a poem I felt could justify that, I decided to create an online version here.

I was nudged further in this decision by finding this short video, Landfill Harmonic (thanks to Lynn Kiesewetter), about a youth orchestra in Paraguay whose young musicians play with instruments made from trash.

Recycled violins
“The world sends us garbage. We send back music.” Fabio Chavez, Orchestra director

This theme was instrumental (I really couldn’t resist–I tried, but I think it’s genetic) in my poem selection for the season:

Compost

Lemon rind, spines
and gnawed sheaths of artichoke,
coffee grounds, stale brownies, banana peels,
pit from the peach—intractable, but
thrown in anyway. Three months later,
turning the dirt, worms squirm
in the peach pit.

Meryl Natchez

Continue reading “Holiday card” →

Bad books

booksLast week I read through the “notable books of 2012” section of the NY Times Book Review and put in reserves at the library for a bunch of them.  So far, I’ve started and given up on five of them in short order:

Shout Her Lovely Name, by Natalie Serber. The stories in this collection felt contrived and the mostly young women heroines seemed imagined, not real. Contrast this to How to Breathe Underwater, by Julie Orringer. The mostly young women heroines in these stories fairly leap off the page with authenticity. Continue reading “Bad books” →

The exemplary sentence

Regular readers know I stole this category from Mark Doty’s blog. And now I’ve stolen an image of a diagrammed sentence from another blog I like, Jottings, by Jim to be its icon.  Does anyone under 50 even know what diagramming a sentence means?

In any case, I keep my eye out for intriguing sentences, and I’ve collected a few here. Continue reading “The exemplary sentence” →

Cheese ball

This morning in my email I received a poem about cheese from E-Verse radio, a blog a enjoy. I realized I had my own cheese poem.  So here we go for Poetry Monday:

Cheese Ball

Whole factories are dedicated to this,
pillars of cheddar large enough
to bear a second story, and wire
that cuts the slabs. Machines
add the precise measure of port wine,
according to Michele Bean, Cheese Ball
Expert.

The process takes a long time.
Great steel vats churn and burble,
a conveyer trundles nuts, paddles
spin the balls along till not a scintilla of cheese shows,
all glossed with nutty skin. This must
be a metaphor for something: children
moving through the school system,
or what happens when primitive tribes
encounter matches and carbon steel.

Maybe we’re all just cheese balls,
starting from something simple, like milk,
pummeled and slashed
and adulterated and finally extruded
in a shape of use to someone
with a sense of humor
and an insatiable appetite.

Another by Marie Howe

At my piano lesson early this week, my teacher’s dog saw her dog friend and the dog’s owner pass by the window.  She often walks with them, but not that day.  It was hard for her to understand why they were going without her, and she pranced around unhappily, left behind. It made me think of this poem, from What the Living Do, by Marie Howe. The book deals (for the most part) with poems about her brother’s death.  What I love about this one is it’s oblique approach to mourning.

Buddy

Andy sees us to the door, and Buddy is suddenly all over him, leaping
and barking because Andy said: walk. Are you going to walk home? he said.

To me. And Buddy thinks him and now, and he’s wrong. He doesn’t
understand the difference between sign and symbol like we do–the thing

and the word for the thing, how we can talk about something when it’s not
even there, without it actually happening–the way I talk about John. Continue reading “Another by Marie Howe” →

Another poem at least partially about poetry…ekphrastic?

I know it’s been almost a week, but here’s another poem as part of the ekphrastic series, assuming a poem about a poem can be in that category. This one is by Jack Spicer, one of the poets Larry first introduced me to when I came to the West Coast decades ago. Like Lew Welch, Philip Whalen, Gary Snyder, his work was different than anything I’d seen before.

Any fool can get into an ocean…

Any fool can get into an ocean
But it takes a Goddess
To get out of one. Continue reading “Another poem at least partially about poetry…ekphrastic?” →

Ekphrastics, take two

In the comments to yesterday’s post on ekphrastic poetry, a reader asked if I’d ever written a poem about a poem. Self-referential creatures that we are, poets often write about poems, and I’m no exception. So here in order, are the poem and the poem referencing the poem:

Nope.

Now that I reread this poem, I don’t want to put mine in the same post.  You can read mine here, and if you like, you can go read (or listen to) the amazing Tony Hoagland poem it references from its more illustrious home on the web, where it deserves to be.

Stuck in the Middle

When we get back from the reading,
I look for the poem
Tony Hoagland didn’t read
and go in to read it to Larry

but he’s watching the scene with the knife
and the duct tape from Reservoir Dogs,
grinning and eating pistachios.
I have to look away. Continue reading “Ekphrastics, take two” →

Ekphrastics

No, they’re not acrostics–ekphrastics (sometimes spelled ecphrastics–but doesn’t it seem more Greek with the k?) are written descriptions of a graphic work of art. Perhaps the most famous ekphrastic poem is Auden’s “Musee des Beaux Arts,” about Breughel’s painting, The Fall of Icarus, in which you can just see his leg to the right of the boat as he falls into the water, but no one is paying particular attention:

Musee des Beaux Arts

About suffering they were never wrong,
The old Masters: how well they understood
Its human position: how it takes place
While someone else is eating or opening a window or just walking dully along;
Continue reading “Ekphrastics” →