C. D. Wright

wightLast month, C. D. Wright died suddenly in her sleep. There have been many good articles about her life and work since then. This poem, from her book String Light, reads to me as a self-written obituary.

Oh, the Novaculite Uplift–a chert and flint formation in the mountains of Arkansas (where Carolyn was born), Oklahoma and Texas.

Our Dust

I am your ancestor. You know next to nothing
about me.
There is no reason for you to imagine
the rooms I occupied or my heavy hair.
Nor the faint vinegar smell of me. Or
the rubbered damp
of Forrest and I coupling on the landing
on route to our detached day.

You didn’t know my weariness, error, incapacity.
I was the poet
of shadow work and towns with quarter-inch
phone books, of failed
roadside zoos. The poet of yard eggs
and sharpening shops,
jobs at the weapons plant and the Maybelline
factory on the penitentiary road. Continue reading “C. D. Wright”

Two poems about birdsong

orioleThe first, in sonnet form, by Robert Frost, published in 1942. The second a more contemporary song by Troy Jollimore.

Never Again Would Birds’ Song Be the Same

He would declare and could himself believe
That the birds there in all the garden round
From having heard the daylong voice of Eve
Had added to their own an oversound,
Her tone of meaning but without the words.
Admittedly an eloquence so soft
Could only have had an influence on birds
When call or laughter carried it aloft.
Be that as may be, she was in their song.
Moreover her voice upon their voices crossed
Had now persisted in the woods so long
That probably it never would be lost.
Never again would birds’ song be the same.
And to do that to birds was why she came.

Robert Frost
A Witness Tree

Oriole

A bend in the river.
A flaw in the surface.
How many continents
has this lone oriole
crossed to come balance
on our sagging clothesline,
and what urgent thing
is he trying to tell us?
That those who could translate
his song are lagging
a thousand miles
behind? Or that those
who can speak both his tongue
and ours have not yet
been born, that we will go
into the ground
and a thousand years pass
before their eyes open,
the wayward atoms
of our nests and tongues
having been dispersed,
reassigned, and repurposed
into their bright,
unforeseeable bodies?

Troy Jollimore
Syllabus of Errors

C. K. Williams

williamsC. K. Williams died last year. I hadn’t read much of his work, but liked what I saw in a review of his Selected Later Poems.  His lines are often long, and his poems, too. This is my favorite so far. It totally grabs me in its “syrupy upsoaring netting.”

At What Time on the Sabbath Do Vultures Awake?

Yesterday, at four in the afternoon there were as accurately as I could count sixteen
xxx on fence posts
and branches banking or dive-bombing might be the better term down towards a dead
xxxdeer in a gulley
but this morning at dawn there were none none at all as I trekked by so I thought
   they’d consumed
the corpse or emptied its guts but no there it still was though I didn’t come too close for
xxxthe stench

then later on my way back were first five then at least a half dozen more circling over
xxxtheir quarry
a few scrolling down towards it and how not wonder whether they’d overslept or
xxx
if on Sundays
like this they just like to sit around reading the paper not bothering to get up till
xxxday’s going
full blast and the great pouring clouds of chattering starlings are already in flight
xxxheading south Continue reading “C. K. Williams”

Poetry readings

I go to a fair number of these. Some are transcendent–moving, dynamic, inspiring. That’s why I go, and go again. But all often, they go more like this:

I Attend a Poetry Readingkowit

The fellow reading poetry at us wouldn’t stop.
Nothing would dissuade him:
not the stifling heat; the smoky walls
with their illuminated clocks;
our host, who shifted anxiously
from foot to foot. Continue reading “Poetry readings”

Best poetry book from 2015

JollimoreTroy Jollimore’s book, Syllabus of Errors, is my favorite new book of poems from last year. He’s a serious poet, and I find his work brave and lyrical.  He’s also not afraid to poke fun at himself.

Here’s a sample:

Lament

No more swamp existence for you, with all
its pleasures, all that rooting around
in forgotten quarters for forgotten nickels.
No more meretricious jazz piano
eliding your way between gross destinations,
unreviewed memoirs by former conundrums,
videos of venal comebacking musicians
going viral on the spiral screen. No more
slowly starving cathedrals into being,
no more convalescing by feel, no more
nosing out the neglected harmonica part
that was meant to fluff out the flourish but got
buried so deep in the mix you could get
the bends coming up from that. No more Continue reading “Best poetry book from 2015”

Holiday Break

This will be my last post until the New Year. It’s amazing to me how well the sonnet has held up as a form.  An example appropriate to the darkness of the season:

Noch Einmal, an Orpheus

When the Queen of Darkness heard his voice,
That mortal stranger, saw him lift the lyre
And watched the dull throng of the dead rejoice
To hear him tell of earth and earth’s desire,
Of pain, of longing, she was not amused.
She caught that veiled allusion to the shame
Of her own story and would have refused
Him then and there, had not the shades that came
In droves now clamored so for his request.
“Be rid of him,” she breathed to the immense
Stillness at her side, who thought it best
To play a cruel joke at the man’s expense,
Fated as he was to indecision,
To second thoughts, a lifetime of revision.

George Bradley

 

Underepresented

frostI see I’ve only posted one poem by Robert Frost in the history of this blog. Today’s post makes this two. He’s such a master of rhyme–could anyone else rhyme honeysuckle and knuckle without it seeming contrived?

He lived so long, it’s surprising to remember he was born in 1874. We always see the white-haired Frost–the one who read at Kennedy’s inauguration. But he was a young, unknown, driven, and ambitious man for a long time before that.

To Earthward

Love at the lips was touch
As sweet as I could bear;
And once that seemed too much;
I lived on air

That crossed me from sweet things,
The flow of–was it musk
From hidden grapevine springs
Downhill at dusk?

I had the swirl and ache
From sprays of honeysuckle
That when they’re gathered shake
Dew on the knuckle.

I craved strong sweets, but those
Seemed strong when I was young;
The petal of the rose
It was that stung.

Now no joy but lacks salt,
That is not dashed with pain
And weariness and fault;
I crave the stain

Of tears, the aftermark
Of almost too much love,
The sweet of bitter bark
And burning clove.

When stiff and sore and scarred
I take away my hand
From leaning on it hard
In grass and sand,

The hurt is not enough:
I long for weight and strength
To feel the earth as rough
To all my length.

Robert Frost

 

Airport poems

airportAs many of us will be on planes during this season, I thought I’d include two poems about airports, each named for the gate where it was inspired. Next time your flight is delayed, you can bring this up and pass a little time.

Gate C22

At gate C22 in the Portland airport
a man in a broad-band leather hat kissed
a woman arriving from Orange County.
They kissed and kissed and kissed. Long after
the other passengers clicked the handles of their carry-ons
and wheeled briskly toward short-term parking,
the couple stood there, arms wrapped around each other
like he’d just staggered off the boat at Ellis Island,
like she’d been released at last from ICU, snapped Continue reading “Airport poems”

Sweetcakes, you are my kind of god

God Says Yes to Me

haughtI asked God if it was okay to be  xxxmelodramatic
and she said yes
I asked her if it was okay to be short
and she said it sure is
I asked her if I could wear nail polish
or not wear nail polish
and she said honey
she calls me that sometimes
she said you can do just exactly Continue reading “Sweetcakes, you are my kind of god”

An occasional poem

robert-hassI wasn’t looking specifically for a Thanksgiving poem, and this one might not be to everyone’s taste, but I like its realism–the confusion of emotions amid the celebration:

The Feast

The lovers loitered on the deck talking,
the men who were with men and the men who were with new women,
a little shrill and electric, and the wifely women
who had a repose and beautifully lined faces
and coppery skin. She had taken the turkey from the oven
and her friends were talking on the deck
in the steady sunshine. She imagined them
drifting toward the food, in small groups, finishing
sentences, lifting a pickle or a sliver of turkey,
nibbling a little with unconscious pleasure. And
she imagined setting it out artfully, the white meat,
the breads, antipasto, the mushrooms and salad
arranged down the oak counter cleanly, and how they all came
as in a dance when she called them. She carved meat
and then she was crying. Then she was in darkness
crying. She didn’t know what she wanted.

Robert Hass, from Praise

Rain

rainThis is our first real rainy day this year.How delicious to be inside, watching the earth soak up, at last, some moisture.  In its honor, two rain poems. And also the rain room at LACMA.

Rain Effect

A bride and a groom sitting in an open buggy
in the rain, holding hands but not looking
at each other, waiting for the rain to stop,
waiting for the marriage to begin, embarrassed
by the rain, the effect of the rain on the bridal
veil, the wet horse with his mane in his eyes,
the rain cold as the sea, the sea deep as love,
big drops of rain falling on the leather seat,
the rain beaded on a rose pinned to the groom’s
lapel, the rain on the bride’s bouquet,
on the baby’s breath there, the sound of the rain
hitting the driver’s top hat, the rain
shining like satin on the black street,
on the tips of patent leather shoes, Hokusai’s
father who polished mirrors for a living, Hokusai’s
father watching the sky for clouds, Hokusai’s father’s son
drawing rain over a bridge and over the people crossing
the bridge, Hokusai’s father’s son drawing the rain
for hours, Hokusai’s father rubbing a mirror, the rain
cold as the sea, the sea cold as love, the sea swelling
to a tidal wave, at the tip of the wave white.

Mary Ruefle (from Cold Pluto)

And this old favorite, by Robert Creeley

Rain

All night the sound hadScreenshot 2015-11-09 09.29.53
come back again,
and again falls
this quiet, persistent rain.

What am I to myself
that must be remembered,
insisted upon
so often? Is it

that never the ease,
even the hardness,
of rain falling
will have for me

something other than this,
something not so insistent—
am I to be locked in this
final uneasiness.

Love, if you love me,
lie next to me.
Be for me, like rain,
the getting out

of the tiredness, the fatuousness, the semi-
lust of intentional indifference.
Be wet
with a decent happiness.

Continue reading “Rain”